And they're saying, you know, now we're having kids coming out at 12, 13, 14, and schools really didn't know what to do. We're used to seeing kids coming out in -well, originally it was college or after and then it was high school. And they're saying, you know, something really -interesting is happening right now. I read a lot about youth culture and I was talking to educators and, you know, leaders of gay youth groups and they were all saying the same thing. Well, I started working on the piece about four or five years ago.
You came out at 20 and you found yourself a little surprised. MARTIN: Now, how did you notice this trend of younger and younger children identifying themselves as gay? You mentioned in the piece that you are a gay man. BENOIT DENIZET-LEWIS (Journalist): Thanks, Michel. In a few minutes, we'll hear from two parents and a teen who are living this story now. Those are the questions writer Benoit Denizet-Lewis tried to answer in this past Sunday's New York Times Magazine cover story, "Coming Out in Middle School." Now this is a first of a two-part conversation. Rather, consider this a primer that helps illustrate the relationship between queer culture and the silver screen.Today in our parenting conversation, what does it mean to come out at 13 or even younger? Are people who come out as gay in their teens destined to face rejection, bullying and identity crisis? Or has the world changed enough so that figuring out sexual identity is just another challenge of adolescence?
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It is nowhere near a comprehensive rundown of every great movie to feature out-and-proud heroes and villains, or a queer sensibility, or even just visible (and/or risible) examples of gay life in cinema we could have easily made this list twice as long. In honor of LGBTQ Pride Month, we’re singling out 50 essential LGBTQ films - from comedies to dramas, documentaries to cult classics, underground experimental work to studio blockbusters. Some have been documents of a moment or era of gay history, some have been used as correctives to decades of negative clichés, and others have simply celebrated the fact that the movies can be queer, they’re here, get used to it. But since those two men first danced, there have also been scores of stories, characters, and filmmakers that have presented the varied, multitudinous aspects of LGBTQ experiences 24 frames per second that have gone past those stereotypes, or flipped them on their heads. That clip appears in The Celluloid Closet, Rob Epstein and Jeffrey Friedman’s documentary based on Vito Russo’s study of homosexuality in the movies, along with countless examples of how gay characters showed up, per narrator Lily Tomlin, as “something to laugh at, or something to pity, or even something to fear.” The history of representation is long, and extremely storied, often shaping how the public viewed “the love that dare not speak its name” for better or worse. It’s considered by many to be one of the first examples of gay imagery in film, and a reminder that homosexual representation has been with the medium from the very beginning. While there’s nothing to outright suggest that these men were romantically involved or attracted to each other during the roughly 20-second length of their pas de deux, there is nothing that contradicts that notion either. It’s known as “The Dickson Experimental Sound Film,” and dates back to 1895, the same year movies were born. It was an experimental short made by William Dickson, designed to test syncing up moving pictures to prerecorded sound, a system that he and Thomas Edison were developing known as the Kinetophone. But this brief footage is not so ancient that you can’t clearly make out two men, waltzing together, as a third man plays a violin in the background. It’s grainy, faded, and, given the clip is now 125 years old, more than a little worse for wear.